The Arri Alexa 35 is now available for hire at 247kit.tv
The ARRI ALEXA 35 is a digital cinema camera that is designed for professional use in the film and television industry. It offers exceptional image quality, advanced features, and a range of customizable options that make it a top choice for cinematographers and filmmakers.
One of the key features of the ARRI ALEXA 35 is its Super 35mm ARRI ALEV III CMOS sensor, which is capable of capturing stunning images with a resolution of 3424 x 2202 pixels. The sensor offers 14 stops of dynamic range, which allows for greater detail in both the highlights and shadows of a scene. This, coupled with the camera's ability to shoot in a range of recording formats, including ProRes 4444 XQ, ProRes 4444, ProRes 422 (HQ), and ARRIRAW, makes it a highly versatile camera that can be used for a range of different projects.
The ARRI ALEXA 35 also features a PL mount that is user-interchangeable with other mount options, giving users greater flexibility in choosing lenses for their shoots. The camera also has an electronic rolling shutter and adjustable ISO from 160 to 3200, which allows users to shoot in a range of lighting conditions.
Another feature that sets the ARRI ALEXA 35 apart from other digital cinema cameras is its internal ND filters. The camera has six different filters - clear, 0.3, 0.6, 0.9, 1.2, and 1.5 - which can be easily controlled via the camera's menu system. This eliminates the need for external ND filters, making the camera more streamlined and easy to use on set.
In terms of audio, the ARRI ALEXA 35 has four channels of 24-bit 48 kHz audio, which allows users to capture high-quality sound along with their images. The camera also has a range of monitoring options, including a SDI output, an EVF/LCD port, and a MON OUT, which allows users to view their footage in real-time.
The ARRI ALEXA 35 is a highly modular camera that can be customized to meet the needs of different users. It has a range of accessories, such as viewfinders, handgrips, and shoulder mounts, which can be easily attached to the camera body. It also has a range of power options, including V-mount and Gold mount battery plates, which allow users to power the camera in a range of different ways.
Overall, the ARRI ALEXA 35 is a highly advanced digital cinema camera that offers exceptional image quality and a range of advanced features. Its customizable options and modular design make it a versatile camera that can be used for a range of different projects.
- Super 35mm ARRI ALEV III CMOS sensor
- 3424 x 2202 pixels resolution
- 14 stops of dynamic range
- Records in ProRes 4444 XQ, ProRes 4444, ProRes 422 (HQ), and ARRIRAW
- ProRes 4444 XQ offers 12-bit color depth and 4:4:4 color subsampling
- PL mount that is user-interchangeable with other mount options
- Electronic rolling shutter
- Adjustable ISO from 160 to 3200
- Internal ND filters (clear, 0.3, 0.6, 0.9, 1.2, and 1.5)
- Four channels of 24-bit 48 kHz audio
- SDI output, EVF/LCD port, and MON OUT monitoring options
- 3D LUT support for on-set color grading
- Customizable look control with ASC CDL and 3D LUT support
- Built-in WiFi for remote camera control and wireless file transfer
- Compatible with ARRI Electronic Control System (ECS)
- Compatible with a range of accessories, including viewfinders, handgrips, and shoulder mounts
- Modular design with customizable power options, including V-mount and Gold mount battery plates
- Lightweight at only 7.5 lbs (3.4 kg) without accessories
- Made in Germany with high-quality craftsmanship and engineering.
| Sensor Type | Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern colour filter array |
| Sensor Photosites and Size | 4608 x 3164 / Ø 33.96 mm / 1.337" |
| Sensor Frame Rates | 0.75 - 120 fps |
| Project Frame Rates | 23.976, 24, 25, 29.97, 30, 47.952, 48, 50, 59.94, 60 fps |
| Weight | 2.9 kg / 6.4 lbs (camera body with three antennas and LPL Mount (LBUS)) |
| Photosite Pitch | 6.075 μm |
| Active Image Area (Dimensions): | |
| 4.6K 3:2 Open Gate | 28.00 x 19.20 mm / 1.102 x 0.756" |
| 4.6K 16:9 | 28.00 x 15.70 mm / 1.102 x 0.618" |
| 4K 16:9 | 24.90 x 14.00 mm / 0.980 x 0.551" |
| 4K 2:1 | 24.90 x 12.40 mm / 0.980 x 0.490" |
| 3.3K 6:5 | 20.22 x 16.95 mm / 0.796 x 0.693" |
| 3K 1:1 | 18.70 x 18.70 mm / 0.737 x 0.737 |
| 2.7K 8:9 | 16.70 x 18.70 mm / 0.656 x 0.738" |
| 2K 16:9 S16 | 12.40 x 7.00 mm / 0.490 x 0.276" |
| Image Circle: | |
| 4.6K 3:2 Open Gate | 33.96 mm / 1.337" |
| 4.6K 16:9 | 32.10 mm / 1.264" |
| 4K 16:9 | 28.57 mm / 1.125" |
| 4K 2:1 | 27.82 mm / 1.095" |
| 3.3K 6:5 | 26.38 mm / 1.039" |
| 3K 1:1 | 26.45 mm / 1.041" |
| 2.7K 8:9 | 25.09 mm / 0.988" |
| 2K 16:9 S16 | 14.24 mm / 0.561" |
| Active Image Area (Photosites): | |
| 4.6K 3:2 Open Gate | 4608 x 3164 |
| 4.6K 16:9 | 4608 x 2592 |
| 4K 16:9 | 4096 x 2304 |
| 4K 2:1 | 4096 x 2048 |
| 3.3K 6:5 | 3328 x 2790 |
| 3K 1:1 | 3072 x 3072 |
| 2.7K 8:9 | 2743 x 3086 |
| 2K 16:9 S16 | 2048 x 1152 |
| Recording Resolution (Pixel) - Max fps* (1TB / 2TB Drive): | |
| 4.6K 3:2 Open Gate | 4.6K (4608 x 3164) - 35 / 75 fps (ARRIRAW), 60 / 60 fps (Apple ProRes) |
| 4.6K 16:9 | 4.6K (4608 x 2592) - 45 / 75 fps (ARRIRAW) |
| 4K (4096 x 2304) - 75 / 75 fps (Apple ProRes) | |
| 4K 16:9 | 4K (4096 x 2304) - 55 / 120 fps (ARRIRAW), 100 / 100 fps (Apple ProRes) |
| UHD (3840 x 2160) - 120 / 120 fps (Apple ProRes) | |
| 2K (2048 x 1152) - 120 / 120 fps (Apple ProRes) | |
| HD (1920 x 1080) - 120 / 120 fps (Apple ProRes) | |
| 4K 2:1 | 4K (4096 x 2048) - 65 / 120 fps (ARRIRAW), 120 / 120 fps (Apple ProRes) |
| 3.3K 6:5 | 3.3K (3328 x 2790) - 55 / 100 fps (ARRIRAW), 75 / 75 fps (Apple ProRes) |
| 4K 2.39:1 Ana. 2x (4096 x 1716) - 90 / 90 fps (Apple ProRes) | |
| 3K 1:1 | 3K (3072 x 3072) - 55 / 100 fps (ARRIRAW), 90 / 90 fps (Apple ProRes) |
| 3.8K 2:1 Ana. 2x (3840 x 1920) - 100 / 100 fps (Apple ProRes) | |
| 2.7K 8:9 | UHD 16:9 Ana. 2x (3840 x 2160) - 100 / 100 fps (Apple ProRes) |
| 2K 16:9 S16 | 2K (2048 x 1152) - 120 / 120 fps (Apple ProRes) |
| Exposure Index | Adjustable from EI 160 - 6400 in 1/3 stops |
| Dynamic Range | 17 stops (2.5 more than with previous ALEXA cameras) |
| Shutter | Electronic shutter, 5.0°- 356° or 1s - 1/8000s |
| Recording Codecs | MXF/ARRIRAW |
| MXF/Apple ProRes 4444 XQ | |
| MXF/Apple ProRes 4444 | |
| MXF/Apple ProRes 422 HQ | |
| Recording Media | Codex Compact Drive 1TB (CA08-1024), Codex Compact Drive 2TB (CB16-2048) |
| Recording Modes | Standard real-time recording, Pre-recording |
| Viewfinder Type | Multi Viewfinder MVF-2 with OLED viewfinder display (1920 x 1080) and 4" LCD flip-out monitor (800 x 400) |
| Viewfinder Diopter | Adjustable from -5 to +5 diopters |
| Colour Output | Rec 709, Rec 2020, Rec 2100 PQ, Rec 2100 HLG, LogC4 |
| Look Control | ARRI Textures |
| Custom colour look (through ARRI Look File ALF4 or ARRI Look Library) | |
| White Balance | Manual and auto white balance, adjustable from 2000K to 11000K |
| Colour correction adjustable from -16 to +16 CC | |
| (1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values) | |
| Filters | Four position built-in motorized ND filter: Clear, 0.6, 1.2, 1.8 |
| Fixed optical low pass, UV, IR filter | |
| Lens Squeeze Factors | 1.00, 1.25, 1.30, 1.33, 1.50, 1.65, 1.80, 1.85, 2.00 |
| Exposure and Focus Tools | False Colour, Zoom, Aperture and Colour Peaking |
| Audio Recording | 4 channel linear PCM (24 bit, 48 kHz) |
| Image Outputs | 2x VF custom CoaXPress connectors for MVF-2 viewfinder |
| 2x 12G SDI (BNC) 422 1.5G HD, 422 3G HD, 444 3G HD, 422 6G UHD, 422 12G UHD, 444 12G UHD | |
| Interfaces | 1x LBUS (LEMO 4-pin) for lens motors, daisy chainable |
| 1x SERIAL (LEMO 4-pin) for distance measuring accessories | |
| 1x TC (LEMO 5-pin) for timecode In/Out | |
| 1x ETH (LEMO 10-pin) for remote control and service | |
| 1x SYNC IN (BNC) for Genlock synchronization | |
| 1x RET IN (BNC, switchable on SDI 2) | |
| 1x USB-C for user setups, look files etc | |
| 1x Rear Interface (18-pin Pogo) | |
| 1x Top Interface (5-pin Pogo) | |
| Audio Inputs | 1x AUDIO (LEMO 6-pin) for balanced stereo line in |
| (line input max. level +24 dBu correlating to 0 dBFS) | |
| Two built-in microphones for scratch audio | |
| With Audio Extension Module AEM-1: additional 3x TA3 connectors (MIC/Line, +48 V, AES) | |
| Audio Outputs | 1x 3.5 mm stereo headphone connector (on MVF-2) |
| 2x SDI (embedded audio) | |
| Power Inputs | 1x PWR (LEMO 8-pin) |
| 1x BAT (camera rear interface / battery adapter) | |
| 20.5 - 33.6 V DC | |
| Power Outputs | 1x RS (Fischer 3-pin) for 24 V accessory power out, start/stop and shutter pulse |
| 1x 12 V (LEMO 2-pin) for 12 V accessory power out | |
| 1x LBUS (LEMO 4-pin) for lens motors & 24 V power out, daisy-chainable | |
| 1x AUDIO (LEMO 6-pin) for balanced stereo line in and 12 V accessory power out | |
| 1x ETH (LEMO 10-pin) for remote control, service and 24 V accessory power out | |
| With Power Distribution Module PDM-1: additionally 4x 24 V, 2x 12 V and 1x D-Tap | |
| Remote Control Options | Camera Companion App |
| ARRI Electronic Control System (ECS) | |
| Web-based remote control from phones, tablets and laptops via WiFi & Ethernet | |
| Camera Access Protocol (CAP) via WiFi & Ethernet | |
| GPIO interface for integration with custom control interface | |
| Wireless Interfaces | Built-in WiFi module (IEEE 802.11b/g) |
| Built-in White Radio for ARRI ECS lens and camera remote control | |
| Lens Mounts & Adapters | ARRI LPL Mount (LBUS) |
| ARRI PL-to-LPL Adapter | |
| ARRI PL Mount (LBUS) | |
| ARRI PL Mount (Hirose) | |
| ARRI EF Mount (LBUS) | |
| Leitz M Mount for ARRI | |
| Flange Focal Depth | LPL Mount: 44 mm , PL mount: 52 mm |
| Power Consumption | ~ 90 W (Camera body and MVF-2) |
| Measurements (HxWxL) | 147 x 152.5 x 203 mm / 5.8 x 6.0 x 8.0" (camera body with LPL lens mount) |
| Operating Temperature | -20° C to +45° C / -4° F to +113° F @ 0-95% RH |
| Storage Temperature | -30° C to +70° C / -22° F to +158° F |
| IP Rating | IP 51 |
| Sound Level | < 20 dB(A) at 30 fps, recording 4K 16:9 - UHD, Apple ProRes 4444 XQ, ≤ +30° ambient temperature |
| Licenses | ALEXA 35 Cine License |
