Sony BURANO 8K Camera
Sony Burano is a versatile, lightweight, and compact full-frame 8K cinema camera with 16 stops of latitude, image stabilisation for PL and E-mount lenses. Easily configurable for solo and team production.
A New Era in Cinematography
BURANO is a new concept in cinema cameras. It takes VENICE’s superior image
quality and usability but re-imagines it for solo and small team
productions. 33% lighter than VENICE 2, more power efficient and supporting
CFexpress media – it’s not just our smallest full-frame CineAlta camera, in
many ways it’s our most technically advanced. Expect uncompromising image
quality wherever you are, whatever the size of your crew.
Smarter Shooting
BURANO makes shooting highest quality 8K simpler than you can imagine. The
world’s first PL mount compatible camera with a built-in stabilisation
system*. A ground-breaking combination of our unique electronic variable ND
filter system with in-body image stabilisation (IBIS) in a full-frame PL and
E-mount cinema camera. For the first time in a full-frame CineAlta camera,
Fast Hybrid and Subject Recognition AF with AI makes it easier to get the
shots you want under the most demanding scenarios. With BURANO, you don’t
need a studio or big crew to excel.
* As of September 2023, based on Sony research for cinema cameras with
standard equipped PL mount
Shoot The Way You Want
BURANO adapts to be the camera you want to be whatever the shoot. A
multi-purpose touchscreen LCD monitor, with flexible mounting system and a
versatile, robust handle, allow you to easily configure BURANO for different
shooting styles. A lightweight, compact chassis and ergonomic balance make
it easy to switch between shoulder-mount, handheld, gimbal or drone
operation. BURANO can be configured for large and small projects, solo or
with an entire crew. It’s all your choice.
Full-Frame 8.6K Sensor
BURANO has a large 36x24mm full-frame image sensor that delivers
high-quality images and superb rendition with wide latitude and a rich
colour gamut. It achieves the beautiful bokeh and dynamic wide-angle
shooting that only a full-frame sensor can provide. 8K image quality with a
maximum resolution of 8632 x 4856 and, through oversampling, it can output
phenomenal looking 4K content.
Multiple Image Scan Modes
BURANO supports 16:9 and 17:9 readouts in full-frame (8.6K) and Super 35mm
(5.8K). Image scan modes include full-frame and Super35 as well as finely
optimised down sampled and high-speed modes such as 6K 60p (FF crop), 5.8K
60p (S35), and 4K 120p (S35 crop*) catering for a wide range of production
requirements.
*Only 17:9 in Super 35 Cropped (S25c) mode
16 Stop Latitude
With a wide latitude of 16 stops*, BURANO captures beautiful, low-noise
images under almost any lighting conditions. The camera’s wide dynamic range
captures everything from highlights to shadows expertly with superb colour
rendition, giving operators maximum flexibility in colour grading.
* S-Log3 shooting. Sony measurements.
Wide Colour Gamut
BURANO features Sony’s signature S-Gamut/S-Gamut.Cine wide colour space
that, as with the VENICE 2, covers a gamut exceeding BT.2020 and DCI-P3.
S-Log3 and X-OCN also dramatically enhances creative flexibility in
post-production. As BURANO offers the same colour accuracy as VENICE 2 it’s
easy to use both cameras together for a seamless and efficient
post-production workflow.
Dual Base ISO
Cinematographers worldwide love VENICE 2’s ability to switch the sensor’s
sensitivity to capture clean images even in low light conditions. BURANO
supports the same Dual Base ISO 800 and 3200 as VENICE 2. This means clear
images with low noise whether shooting in a brightly lit environments (ISO
800) or in challenging dimly lit scenarios (ISO 3200). With BURANO, it’s
possibly to shoot amazing imagery with nothing more than candlelight.
Internal 16-bit X-OCN LT and XAVC H recording
Despite its compact dimensions, BURANO offers internal recording of X-OCN
LT* as well as our new XAVC H and proven industry standard XAVC-I format.
X-OCN is Sony’s compressed RAW format that records everything that the 8.6K
sensor can capture in a broad latitude 16-bit scene linear file full of rich
tonal gradation. X-OCN LT’s high efficiency reduces storage requirements and
accelerates file transfer times for 8K content for a post-production
workflow that’s comparable to a 4K project.
BURANO also features 10-bit S-Log3 with XAVC H-I HQ recording at 1200 Mbps
and XAVC H-I SQ recording at 800 Mbps for 8K30p image quality. This enables
even great data savings and faster post-production workflow.
* Not compatible with X-OCN XT and X-OCN ST recording formats
New in-camera Looks for Ready-to-Use Footage
BURANO has four new looks – Warm, Cool, Vintage and Teal and Orange – to
choose between alongside the established s709 and 709 (800) looks in Cine EI
mode. Creatively tuned to suit typical shooting scenarios, they give the
operator a choice of distinctive, engaging looks at the touch of a button.
Moreover, LUT data from a shoot can be embedded in those clips’ metadata for
an efficient colour workflow.
s709: Kodak 2383-like natural tones and colours
s709(800): Standard 709 tone curve for accurate colour reproduction
Teal and Orange
A modern, colourful, contrasty reformulation of the classic film look. With
a strong separation between cool backgrounds and warm skin tones, it’s an
ideal look for productions with a focus on human subjects.
Warm
A soft, gentle look with amber highlights, and flattering for skin.
Cool
Evokes the chill of a shadow, and the blue of twilight – ideal for midnight
blue or the coolness of a city at dawn.
Vintage
Transports the camera’s high resolution cinema quality into a previous era.
The look applies a film-like bleach bypass and faded, pale sepia effect.
Lens Mount Flexibility
PL Lens Mount
BURANO comes with the industry-standard PL lens mount and is
compatible with Super 35mm and full-frame PL lenses (spherical and
anamorphic). The lens mount includes contacts that support Cooke/i
Technology, and lens information is recorded as metadata, frame by frame.
Lever Lock Type E-mount
E-mount lenses can be fitted when the PL mount adapter is removed.
E-mount (lever lock type) gives users the ability to change lenses by
rotating the locking collar rather than the lens itself, which means that in
most cases lens support rigs don’t need to be removed, saving time during a
production. Sony’s ever-increasing range of E-mount lenses, from ultra-wide
to ultra-telephoto, are supported by the BURANO’s advanced image
stabilisation and AF capabilities – ideal for mobile and single-operator
projects.
Anamorphic Lens De-Squeeze function
BURANO comes with an anamorphic de-squeeze function as standard. The
monitoring menu gives a choice from 1.3x/2.0x, based on the anamorphic lens’
magnification. The result can be seen on the LCD monitor display, and on
external monitors at FHD resolution. The camera monitor output supports SDI
or HDMI for X-OCN shooting, and HDMI for non-X-OCN content.
In-Body Stabilisation with PL mount lenses
BURANO is the world’s first cinema camera that supports in-body optical
image stabilisation (IBIS) for almost any attached lens, including for the
first time PL. The new, compact image stabilisation system was originally
developed for the Alpha series of mirrorless cameras. Featuring a gyroscopic
sensor and control algorithm, it compensates for camera shake even for
handheld shooting while walking. The stabilisation is so effective that it
removes the need for any extra equipment for many applications.
Stabilisation is even greater with E-mount lenses, allowing more difficult shots to be captured without blurring. Camera shake data can be passed to post production for precise alignment with CGI and in volume stages.
Electronic Variable ND Filter
Sony’s unique electronic Variable ND Filter has been redesigned to be both
smaller and compatible with the built-in image stabilisation mechanism. It
can smoothly and continuously change its density from 0.6 (1/4) to 2.1
(1/128). With physical ND filters no longer needed, operators can adjust the
electronic filter density by simply rotating the ND dial. Operators can
maintain a constant depth of field by adjusting the electronic ND filter and
the iris control together. Continuous or stepped changes can be selected
with the ND STEP/VARIABLE switch, depending on the application. The [Auto
ND] function automatically adjusts the filter density to give a correct
exposure, effectively allowing the use of the ND filter as an alternative
Auto IRIS.
Catch the action with Fast Hybrid AF*
Effortlessly track fast moving subjects with pin-sharp focus, even when
using wide lens aperture settings to maintain a shallow depth of field with
BURANO’s full-frame sensor. Originally developed by Sony’s Alpha camera
engineers, enhanced Fast Hybrid AF combines phase detection AF for fast,
accurate subject tracking with contrast AF for exceptional focus accuracy.
In addition, Face Detection intelligently recognises and locks on to human
faces.
The dedicated 627-point phase detection AF sensor covers approximately 88.7% of the whole image area, allowing consistently accurate, responsive AF tracking, even with shallow depth-of-field.
AI Subject Recognition AF with touch*
Our onboard AI processing unit recognises not only eye position but also
accurately senses human torso and head positions. Subject Recognition AF
automatically draws a frame around people’s faces when they are detected.
Human pose estimation technology recognises body and head position, so you
can even track a subject facing away from the camera or wearing a mask.
Touch a person to focus on, and the camera will track that person precisely.
Even in challenging situations like a bowed head or when hair covering a
face, the camera accurately captures the eyes, so that operators can focus
accurately even in the most difficult circumstances.
* Over 70 E-mount lenses can use BURANO’s advanced Hybrid AF and AI
Subject Recognition AF features
Virtual Production made simple
Up to 8K recording, 16-bit colours and a very fast sensor readout speed
allow cinematographers to focus on the art of shooting virtual sets rather
than technical compromises. The flawless synch with advanced Crystal LED
controllers is unique in the industry.
Dual CFexpress Type B Slots
Sony’s new CFexpress card VPG400 allows for reliable capture at exceptional
high data rates, including X-OCN LT recording in full 8K.
BURANO’s dual media slots allow relay and simultaneous recording*, while
versatile CFexpress Type B media are convenient for backing up and
transferring data in the field. An additional SD card slot is for storing
Proxy and camera setting information.
* XAVC-only
Smaller, Lighter, Stronger
At 2.9 kg including the PL adaptor, BURANO is approximately 33% lighter than
Sony’s top-of-the-line VENICE 2 digital cinema camera – a significant
advantage when shooting hand-held or shoulder mounted, as well as when using
with gimbal, drone, cranes and jibs.
All the button and key layouts have been carefully considered to suit the new compact size and solo or team operation. The main cinematography controls are on the Operator Switch Side and can be illuminated for use in dark environments. The camera has tally lights in three positions, so operators can check status from four different directions. There’s also an optional audio beep for recording start and stop.
Despite its compact size, BURANO is engineered to Sony’s highest standards of reliability with a housing constructed of sturdy magnesium alloy and aluminium for shooting in the harshest environments. Recording for hours on end is no problem with a highly efficient cooling system which is completely isolated from image sensor and other dust sensitive components.
Exceptional ergonomics
Intuitive Menu Control with Touch
BURANO’s LCD Monitor has a quick access control menu for commonly accessed
features. With a single touch, you can press to change key settings
including:
- Codec, Imager Scan mode, Picture Size and frequency
- Base ISO/Sensitivity
- Shooting Mode
- Audio Levels
Versatile Monitor
BURANO features a 3.5 type LCD monitor that can be freely adjusted to suit
the shooting style. A viewfinder loupe can be attached, autofocus is
operated by touching the screen, and the display can also be mounted in a
wide variety of ways to adapt to the project style.
- Compact, Highly Mobile Design
- Full-Frame CMOS 8.6K Sensor
- 16 Stops of Dynamic Range
- In-Body Image Stabilization|E & PL Mount
- Dual-Base 800/3200 ISO Range
- Electronically Variable 0.6-21ND Filter
- Phase Detection AF | Face/Eye Tracking
- Full-Frame & Super35 Sensor Modes
- Supports Multiple Frame Rates & Codecs
- Dual CFExpress Type B Card Slots
General |
|
---|---|
Camera type | Digital motion picture camera |
Lens mount | PL Mount (detachable)/ E- mount (lever lock type) |
Camera Section |
|
Type | 35mm full frame (35.9 x 24.0 mm), Exmor RS CMOS image sensor |
Number of pixels (effective)*1 | Approx. 41.9 megapixels |
Optical low pass filter | Yes |
Built-in ND filter | CLEAR, linear variable ND (0.6(1/4) - 2.1(1/128)) |
Gain control | -3 to 18 dB (every 1 dB) |
Latitude | 16 stops |
Colour temperature range | 2000 K - 15000 K |
Recording system (movie) |
|
Video compression | X-OCN(LT), XAVC H Intra HQ, XAVC H Intra SQ, XAVC H Long, XAVC Intra, XAVC Long |
Audio recording format | LPCM 4ch(48kHz 24bit) |
Movie function |
|
Slow & Quick Motion (S&Q) | Yes |
Proxy recording | Yes |
TC/UB | Yes |
Memory card slot |
|
Memory card slot | SLOT A: Slot for CFexpress Type B card, SLOT B: Slot for CFexpress Type B card, Slot for Utility SD card |
Focus System |
|
Type | Fast Hybrid AF (phase-detection AF / contrast-detection AF) |
Focus point | Max. 627 points (phase- detection AF) |
Recognition target (Movies) | Human |
Other features | AF Subj. Shift Sensitivity |
AF Transition Speed | |
AF Assist | |
Exposure Control |
|
ISO sensitivity | ISO 800/3200 (Cine EI mode, D55 Light source) |
LCD screen |
|
Type | 8.8 cm (3.5 type) TFT |
Touch panel | Yes |
Number of dots (total) | 2 764 800 dots |
Shutter |
|
Shutter speed | Angle Mode: 5.6°to 360°, 2F to 64F |
Speed Mode: 1/8000 sec to 64F | |
Image Stabilization |
|
Type | Image Sensor-Shift mechanism with 5- axis compensation (Compensation depends on lens specifications) |
Mode | PL mount : High / Low / Off |
E-mount : Active / Standard / Off | |
Interface |
|
PC interface | Mass-storage |
USB Type-C Terminal | Yes (SuperSpeed USB 5 Gbps (USB 3.2) compatible) |
Wireless LAN (built-in) | Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band))*2*3 |
HDMI output | HDMI connector (Type-A) |
XLR audio input | Yes (3-pin (female) x2) |
Headphone terminal | Yes (3.5 mm Stereo minijack) |